INTRICATIONS QUANTIQUES ** QUANTUM ENTANGLEMENT

by Watine

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    There is nothing too big to be contained in a human heart. With this album largely dominated by her instrument, Catherine Watine celebrates the tradition of a cosmic piano which, from Sokoulov to Alan Parsons, Stephen Jones or Pink Floyd, uses the piano as a telescope to explore the stars and as a microscope to scrutinize atoms.
    The entire universe is contained in a box of emotions that the artist opens and takes with her everywhere. Her piano is neither talkative nor romantic. It expresses itself as much as it seems to listen to the layers of arrangements, sizzles, dust and sounds that populate the world. Catherine Watine has an ability to bind the infinitely close to a form of distance that borders on the sacred. Neither sad or crude, Eros & Thanatos are one and have no Freudian conflict to resolve. The digital and the organic lay in the same bed, shaking the surface of the water with a soft, synthetic breath of a touch. Catherine Watine’s world is sometimes at a standstill, on the edge of a precipice or behind a curtain, watching the rain fall. ‘The Lighthouse on The Edge’ is imbued with a restless melancholy. The whole piece exudes a fragile serenity and a curiosity that precede a leap into the unknown or a long journey. ‘Interstellar Un-Ravel’ is a conquering piece with a marked and solemn rhythm. It heralds the time of travel, turmoil and exploration. ‘Rustling Forest’ sounds like a mini-symphony of the new world. One enters as if one has just discovered a new galaxy or met a new love in the evening, which is about the same.
    ‘Quantum Entanglement’ captures humanity in its most vibrant, wonderful and miserable aspects: this ability to think of the entire universe as part of its own substance, its intimate emotion as a force large enough and unconscious to contain everything that laughs and everything that cries, everything that loves and everything that has ceased to be. To infinity, and beyond!


    Benjamin Berton

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  • Record/Vinyl + Digital Album

    the standard vinyl come with a 4-pages booklet
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  • Record/Vinyl + Digital Album

    RELEASE OCTOBER, 2 : 75 individually unique limited edition record jackets for the limited edition deluxe version of the release. Only 15 copies for EUROPE-. Modifying and reconfiguring the original cover artwork from @karolina.vel with a selection of vintage papers in the background...Aphrodite now has lace in her hair...and the back of the jacket has pages from a rare and extremely detailed Atlas of the m
    oon...and a hand rendered cosmos in the usual TRS fashion...it’s a beauty all around!

    Includes unlimited streaming of INTRICATIONS QUANTIQUES ** QUANTUM ENTANGLEMENT via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 15 Watine releases available on Bandcamp and save 60%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of PHOS DISPARITION Intratextures & Watine, SHEER RECOLLECTION inédit, JOCONDES, INTRICATIONS QUANTIQUES ** QUANTUM ENTANGLEMENT, PHOS : A L'OBLIQUE, MAISON "GEOMETRIES" feat Watine, GEOMETRIES SOUS-CUTANEES, ATALAYE LP, and 7 more. , and , .

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about

There is nothing too big to be contained in a human heart. With this album largely dominated by her instrument, Catherine Watine celebrates the tradition of a cosmic piano which, from Sokoulov to Alan Parsons, Stephen Jones or Pink Floyd, uses the piano as a telescope to explore the stars and as a microscope to scrutinize atoms.
The entire universe is contained in a box of emotions that the artist opens and takes with her everywhere. Her piano is neither talkative nor romantic. It expresses itself as much as it seems to listen to the layers of arrangements, sizzles, dust and sounds that populate the world. Catherine Watine has an ability to bind the infinitely close to a form of distance that borders on the sacred. Neither sad or crude, Eros & Thanatos are one and have no Freudian conflict to resolve. The digital and the organic lay in the same bed, shaking the surface of the water with a soft, synthetic breath of a touch. Catherine Watine’s world is sometimes at a standstill, on the edge of a precipice or behind a curtain, watching the rain fall. ‘The Lighthouse on The Edge’ is imbued with a restless melancholy. The whole piece exudes a fragile serenity and a curiosity that precede a leap into the unknown or a long journey. ‘Interstellar Un-Ravel’ is a conquering piece with a marked and solemn rhythm. It heralds the time of travel, turmoil and exploration. ‘Rustling Forest’ sounds like a mini-symphony of the new world. One enters as if one has just discovered a new galaxy or met a new love in the evening, which is about the same.
‘Intrications Quantiques’ captures humanity in its most vibrant, wonderful and miserable aspects: this ability to think of the entire universe as part of its own substance, its intimate emotion as a force large enough and unconscious to contain everything that laughs and everything that cries, everything that loves and everything that has ceased to be. To infinity, and beyond!

 (Benjamin Berton)

credits

released September 17, 2020

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Watine Paris, France

Mozart disait : Je cherche les petites notes qui s’aiment ...
Quelque part entre le spleen lumineux et le soleil noir, Watine invite son piano épique au milieu des cordes et des vents à partager les sons electro et ses enregistrements de musique concrète . La liberté dans la solitude, la solitude dans l'amour. Un hymne à la vie. ... more

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